Jonathan
Jones in the Guardian tells us arson is ok when you do it to Russians
Pyotr
Pavlesnky standing proudly in front of his “superbly well-aimed
piece of political art.” AKA a door to a public building he just
set on fire
10
November, 2015
The
Guardian’s “Let’s Hate Russia” crusade, like the old Windmill
Theatre, never closes. It’s a 24/7 op and needs a constant supply
of attack pieces to keep those fires of division and racism stoked.
So it’s not surprising a lot of barrel-scraping has to be done, and
in fact sometimes the results can be so unintentionally
self-parodying they become almost an art form all their own.
I
hope someone somewhere is keeping a scrapbook of the best examples,
as it would be a shame if posterity didn’t get to appreciate the
21st Century Graun, and its staffers as the fine specimens of
journalistic excellence they really are.
Just
this week we’ve had…
i)
The blockbuster saga of that majestically impartial organ, the World
Anti-Doping Association acting
as the lame mouthpiece of US foreign policyannouncing
the results of its serious
and impartial enquiry into
uniquely corrupt Russian doping practises;
ii) A
questionable “amateur video” of
an alleged Russian bombing of a hospital in Sarmin (US propaganda is
not subtle, ever since it was revealed to have deliberately bombed a
hospital in Kunduz it’s done nothing but plant stories saying “oh
yeah, well Russia bombs like hundreds of
hospitals!”). Very oddly this video was first
published as a fragment on October 22,
with the qualifying caption “video
footage posted to social media, purporting to
show an alleged Russian
airstrike…”.
This time round those qualifiers have disappeared (we will probably
return to this story).
iii) Ash
Carter telling us all that
the wonderful world peace we’ve been enjoying lately is now in
danger since Russia started bombing terrorists.
Jonathan
Jones…and his shirt
It
doesn’t help his credibility that JJ looks like Petro Poroshenko’s
slightly less bloated, sartorially-challeneged brother, but we’ll
leave that to one side as being not germane to the issue. And his
article needs no help when it comes to revealing the author as an
idiot hack, prepared to put his name to just about any load of tripe
for a pay check and a chance to see his piccy in a national daily.
Jones’
current piece is about a Russian “artist” called Pyotr Pavlensky,
who became a hero for western media after nailing his scrotum to the
floor in Red Square (seriously, you can read all about it in the
Guardian, in a piece called Why
I nailed my scrotum to Red Square).
As
a result of this brilliantly seditious act Pyotr was given a blanket
and some antibiotics, de-nailed and sent home. Which, of course, just
proves that Russia is, in Pavlensky’s words, “turning into a big
prison and a police state.” In free societies you see, people can
nail their scrotums to public walkways and sit there for as long as
they want. I’m not sure, but I think there’s even an amendment to
that effect in the US Constitution.
Jonathan
Jones is, predictably, a huge fan of this guy (or is paid to pretend
he is), and he happily puts his place in art history on the line to
go on record saying Pavlensky’s latest masterpiece – setting fire
to the door of the Lubyanka Building in Moscow – is
just fan-freaking-tastic. In
fact he can’t believe the Russian police have taken such a
relentlessly negative view….
Pavlensky has been charged with “hooliganism” – yet this is a superbly well-aimed piece of political art.
So,
can this be right? Is JJ telling us he thinks arson is…ok?
Normally, setting fire to a building would not win my approval.
Oh,
good…because it really seemed
as if it would…
Someone might get hurt.
Quite.
Which is probably why it tends to be widely discouraged as a means of
expression.
And this is a historic front door, on a historic building.
Exactly.
So, remind me again, why is it ok to set it on fire…?
In assaulting the FSB headquarters, Pavlensky has drawn attention to an architecture of terror. This building is a living symbol of all that has gone wrong in Russia since the 1990s.
Ah.
I see. Light of a sort is dawning. You are saying it’s ok to burn
down parts of public buildings if by so doing you are “draw[ing]
attention to an ‘architecture of terror'”?
Arson becomes completely legitimate, in other words, provided you
burn down a place that happens to be a “living
symbol of all that has gone wrong in [insert name of country here]
since the 1990s” ?
And
what if in this process ‘someone gets hurt”, as you say? Or dies?
You seem to be implying this would just be collateral damage in
pursuit of artistic excellence. Would you care to elaborate on that?
And
how about the GCHQ building? MI5 and and MI6? The NSA HQ? The CIA?
The FBI? The US Marines? Congress? The Houses of Parliament? The
Rada?
Most would agree they are all “living symbols of all that has
gone wrong” in the countries that house them. So, are they fair
game for arson too?
I’m
assuming you will say quite a firm “no” here, am I correct? I
assume you will say that’s different, and maybe even invoke
“Whatboutery” that faithful friend of sophists everywhere. I’m
fairly sure if some peace activist nailed his scrotum to Tony Blair
or set fire to MI6’s front door you probably would not be cheering
on this marvellous example of “political art”?
Yes.
Thought so.
But
the real reason for JJ’s piece is contained in the penultimate
para. Here, half-heartedly expressed maybe, you will find the talking
point he’s been paid handsomely to sell, and which he’s tried his
best to camouflage and rationalise with all this embarrassing,
pseudo-art-critiqueing (it makes it easier to take the money if you
can convince yourself you’re saying something remotely connected to
your supposed specialty).
This
is the real message du
jour:
It [the fact Lubyanka still exists] puts our own fears of spies (or lack of such fears) into perspective. In Britain the intelligence services areaccused of intruding on privacy. In Russia they are suspected of political murder.
I
trust you all take due note, oh newly awakening Guardian-reading
masses? JJ’s bosses want you to think how much worse things could
be, and go back to sleep.
Do
we even need to break down this pathetic offering? Do we need to
point out the clumsily dishonest use of language? That British
security forces are not “accused of intruding on privacy”, they
are proven to do it, continuously and persistently. That being
“suspected of political murder” means only as much as the
identity of those doing the “suspecting” – a detail JJ
carefully leaves out. That, contrary to his lie-by-omission- point,
the British security services are themselves not only “suspected”
of political murder, but openly accused of it.
No,
let’s not bother. This is a Minitrue hit
piece by a hired hack, devoid of ethics or talent, celebrating
another hired hack, paid to nail his genitals to the pavement.
History
will know well enough how to deal with them both.
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