Pete
Seeger dies
27
Janaury, 2014
NEW
YORK (AP) — Pete Seeger, the banjo-picking troubadour who sang for
migrant workers, college students and star-struck presidents in a
career that introduced generations of Americans to their folk music
heritage, died Monday at the age of 94.
Seeger's
grandson, Kitama Cahill-Jackson said his grandfather died peacefully
in his sleep around 9:30 p.m. at New York Presbyterian Hospital,
where he had been for six days. Family members were with him.
"He
was chopping wood 10 days ago," Cahill-Jackson recalled.
Seeger
— with his a lanky frame, banjo and full white beard — was an
iconic figure in folk music. He performed with the great minstrel
Woody Guthrie in his younger days and marched with Occupy Wall Street
protesters in his 90s, leaning on two canes. He wrote or co-wrote "If
I Had a Hammer," ''Turn, Turn, Turn," ''Where Have All the
Flowers Gone" and "Kisses Sweeter Than Wine." He lent
his voice against Hitler and nuclear power. A cheerful warrior, he
typically delivered his broadsides with an affable air and his banjo
strapped on.
"Be
wary of great leaders," he told The Associated Press two days
after a 2011 Manhattan Occupy march. "Hope that there are many,
many small leaders."
With
The Weavers, a quartet organized in 1948, Seeger helped set the stage
for a national folk revival. The group — Seeger, Lee Hays, Ronnie
Gilbert and Fred Hellerman — churned out hit recordings of
"Goodnight Irene," ''Tzena, Tzena" and "On Top of
Old Smokey."
Seeger
also was credited with popularizing "We Shall Overcome,"
which he printed in his publication "People's Song," in
1948. He later said his only contribution to the anthem of the civil
rights movement was changing the second word from "will" to
"shall," which he said "opens up the mouth better."
"Every
kid who ever sat around a campfire singing an old song is indebted in
some way to Pete Seeger," Arlo Guthrie once said.
His
musical career was always braided tightly with his political
activism, in which he advocated for causes ranging from civil rights
to the cleanup of his beloved Hudson River. Seeger said he left the
Communist Party around 1950 and later renounced it. But the
association dogged him for years.
He
was kept off commercial television for more than a decade after
tangling with the House Un-American Activities Committee in 1955.
Repeatedly pressed by the committee to reveal whether he had sung for
Communists, Seeger responded sharply: "I love my country very
dearly, and I greatly resent this implication that some of the places
that I have sung and some of the people that I have known, and some
of my opinions, whether they are religious or philosophical, or I
might be a vegetarian, make me any less of an American."
He
was charged with contempt of Congress, but the sentence was
overturned on appeal.
Seeger
called the 1950s, years when he was denied broadcast exposure, the
high point of his career. He was on the road touring college
campuses, spreading the music he, Guthrie, Huddie "Leadbelly"
Ledbetter and others had created or preserved.
"The
most important job I did was go from college to college to college to
college, one after the other, usually small ones," he told The
Associated Press in 2006. " ... And I showed the kids there's a
lot of great music in this country they never played on the radio."
His
scheduled return to commercial network television on the highly rated
Smothers Brothers variety show in 1967 was hailed as a nail in the
coffin of the blacklist. But CBS cut out his Vietnam protest song,
"Waist Deep in the Big Muddy," and Seeger accused the
network of censorship.
He
finally got to sing it five months later in a stirring return
appearance, although one station, in Detroit, cut the song's last
stanza: "Now every time I read the papers/That old feelin' comes
on/We're waist deep in the Big Muddy/And the big fool says to push
on."
Seeger's
output included dozens of albums and single records for adults and
children.
He
also was the author or co-author of "American Favorite Ballads,"
''The Bells of Rhymney," ''How to Play the Five-String Banjo,"
''Henscratches and Flyspecks," ''The Incompleat Folksinger,"
''The Foolish Frog" and "Abiyoyo," ''Carry It On,"
''Everybody Says Freedom" and "Where Have All the Flowers
Gone."
He
appeared in the movies "To Hear My Banjo Play" in 1946 and
"Tell Me That You Love Me, Junie Moon" in 1970. A reunion
concert of the original Weavers in 1980 was filmed as a documentary
titled "Wasn't That a Time."
By
the 1990s, no longer a party member but still styling himself a
communist with a small C, Seeger was heaped with national honors.
Official
Washington sang along — the audience must sing, was the rule at a
Seeger concert — when it lionized him at the Kennedy Center in
1994. President Clinton hailed him as "an inconvenient artist
who dared to sing things as he saw them."
Seeger
was inducted into the Rock and Roll Hall of Fame in 1996 as an early
influence. Ten years later, Bruce Springsteen honored him with "We
Shall Overcome: The Seeger Sessions," a rollicking
reinterpretation of songs sung by Seeger. While pleased with the
album, Seeger said he wished it was "more serious." A 2009
concert at Madison Square Garden to mark Seeger's 90th birthday
featured Springsteen, Dave Matthews, Eddie Vedder and Emmylou Harris
among the performers.
Seeger
was a 2014 Grammy Awards nominee in the Best Spoken Word category,
which was won by Stephen Colbert.
Seeger's
sometimes ambivalent relationship with rock was most famously on
display when Dylan "went electric" at the 1965 Newport Folk
Festival.
Witnesses
say Seeger became furious backstage as the amped-up band played,
though just how furious is debated. Seeger dismissed the legendary
tale that he looked for an ax to cut Dylan's sound cable, and said
his objection was not to the type of music but only that the guitar
mix was so loud you couldn't hear Dylan's words.
Seeger
maintained his reedy 6-foot-2 frame into old age, though he wore a
hearing aid and conceded that his voice was pretty much shot. He
relied on his audiences to make up for his diminished voice, feeding
his listeners the lines and letting them sing out.
"I
can't sing much," he said. "I used to sing high and low.
Now I have a growl somewhere in between."
Nonetheless,
in 1997 he won a Grammy for best traditional folk album, "Pete."
Seeger
was born in New York City on May 3, 1919, into an artistic family
whose roots traced to religious dissenters of colonial America. His
mother, Constance, played violin and taught; his father, Charles, a
musicologist, was a consultant to the Resettlement Administration,
which gave artists work during the Depression.
His uncle Alan Seeger, the poet, wrote "I Have a Rendezvous With Death."
His uncle Alan Seeger, the poet, wrote "I Have a Rendezvous With Death."
Pete
Seeger said he fell in love with folk music when he was 16, at a
music festival in North Carolina in 1935. His half brother, Mike
Seeger, and half sister, Peggy Seeger, also became noted performers.
He
learned the five-string banjo, an instrument he rescued from
obscurity and played the rest of his life in a long-necked version of
his own design. On the skin of Seeger's banjo was the phrase, "This
machine surrounds hate and forces it to surrender" — a nod to
his old pal Guthrie, who emblazoned his guitar with "This
machine kills fascists."
Dropping
out of Harvard in 1938 after two years as a disillusioned sociology
major, he hit the road, picking up folk tunes as he hitchhiked or
hopped freights.
"The
sociology professor said, 'Don't think that you can change the world.
The only thing you can do is study it,'" Seeger said in October
2011.
In
1940, with Guthrie and others, he was part of the Almanac Singers and
performed benefits for disaster relief and other causes.
He
and Guthrie also toured migrant camps and union halls. He sang on
overseas radio broadcasts for the Office of War Information early in
World War II. In the Army, he spent 3½ years in Special Services,
entertaining soldiers in the South Pacific, and made corporal.
Pete
and Toshi Seeger were married July 20, 1943. The couple built their
cabin in Beacon after World War II and stayed on the high spot of
land by the Hudson River for the rest of their lives together. The
couple raised three children. Toshi Seeger died in July at age 91.
The
Hudson River was a particular concern of Seeger. He took the sloop
Clearwater, built by volunteers in 1969, up and down the Hudson,
singing to raise money to clean the water and fight polluters.
He
also offered his voice in opposition to racism and the death penalty.
He got himself jailed for five days for blocking traffic in Albany in
1988 in support of Tawana Brawley, a black teenager whose claim of
having been raped by white men was later discredited. He continued to
take part in peace protests during the war in Iraq, and he continued
to lend his name to causes.
"Can't
prove a damn thing, but I look upon myself as old grandpa,"
Seeger told the AP in 2008 when asked to reflect on his legacy.
"There's not dozens of people now doing what I try to do, not
hundreds, but literally thousands. ... The idea of using music to try
to get the world together is now all over the place."
No comments:
Post a Comment
Note: only a member of this blog may post a comment.