Showing posts with label The Hobbit. Show all posts
Showing posts with label The Hobbit. Show all posts

Sunday, 2 December 2012

New Zealand - Appearance and Reaiity


Tim  ("the Gross") Grosser has lashed out while PM Key has laughed the whole thing off, saying "100% Pure" is like a MacDonalds' ad - it should be taken with a 'grain of salt'

In short, we are ruled by criminal hypocrites 

New Zealand’s Green Tourism Push Clashes With Realities




By CHARLES ANDERSON


16 November, 2012

The scene is set: a giant countdown clock, a 1,500-foot red carpet and assurances from the New Zealand government’s tourism arm that the South Pacific nation will once again become the real Middle Earth.


As the Wellington premiere of “The Hobbit” approaches, New Zealand’s picturesque landscapes are set to take center stage once again. Ten years ago, the breathtaking vistas featured in Peter Jackson’s “Lord of the Rings” trilogy were at the heart of a tourism campaign that helped jump-start a multibillion-dollar international travel industry and a worldwide image of the country’s clean, green living. It was what Tourism New Zealand, the country’s tourism agency, called “100% pure” New Zealand.


But while the spectacular and seemingly untarnished natural backdrops, stunning waterscapes and snow-tipped mountains might look world-class on film, critics say the realm New Zealand’s marketers have presented is as fantastical as dragons and wizards.


“There are almost two worlds in New Zealand,” said Mike Joy, a senior lecturer in environmental science at Massey University in Palmerston North. “There is the picture-postcard world, and then there is the reality.”


The clean and green image has long been promoted by the isolated country in its striving to compete in world markets. But an international study in the journal PLoS Onemeasuring countries’ loss of native vegetation, native habitat, number of endangered species and water quality showed that per capita, New Zealand was 18th worst out of 189 nations when it came to preserving its natural surroundings.


Dr. Joy said that for a country purporting to be so pure, New Zealand seemed to be failing by many international environmental benchmarks.


Last month, the New Zealand Ministry for the Environment released a survey showing that more than half of the country’s freshwater recreational sites were unsafe to swim in. Fecal contamination of waterways, caused largely by dairy farming — the source of 13.9 billion New Zealand dollars, or $10 billion, in annual exports, nearly a quarter of New Zealand’s total — was widespread.


The survey showed that people who swam in those rivers were at a high risk of illness, including serious diseases like giardiasis, cryptosporidiosis and campylobacteriosis. The waterways were the cause of 18,000 to 34,000 cases of waterborne disease each year.


Eugenie Sage, a member of the New Zealand Parliament who is environment spokeswoman for the Green Party, said the results belied the “100% pure” marketing image.


“We promote our country as 100 percent pure and 100 percent Middle Earth,” she told Parliament in October. “But to swim in our rivers, which is the birthright of Kiwi kids — you cannot do it in the majority of the rivers that the Ministry for the Environment monitored.”


Before the Nov. 28 release of the first of three “Hobbit” films by Mr. Jackson — the movies are based on a book by J.R.R. Tolkien, also the author of “The Lord of the Rings” — Prime Minister John Key has been courting more international tourism.


This year in Japan, Mr. Key introduced a “100% Middle Earth” campaign to attract tourists from that country. In September, he made an official trip to Los Angeles to woo the film and tourism industries.


The “Lord of the Rings” films were a boon for New Zealand, attracting more than 20,000 people a year to the country and pouring an estimated 700 million dollars into the economy in 2004 alone.


International tourist spending almost doubled, from 3.1 billion dollars in 1999, when filming of the “Lord of the Rings” began in the country, to 6 billion dollars at the end of 2004, a year after the final installment of the trilogy made its debut. By 2011, however, the number had tapered off to 5.6 billion dollars, according to statistics from the Ministry of Business, Innovation and Employment.


Although the government has not projected any numbers for the “Hobbit” trilogy, it was desperate to keep the filming in New Zealand and repeat the success of “Lord of the Rings.” After a dispute with the New Zealand actors’ union, the government even changed labor legislation to clarify how actors were seen under the law. It also offered the Hollywood studio Warner Brothers an extra $25 million in tax breaks on top of its basic 15 percent subsidy as a sweetener.

The investment seems to have paid off. Research conducted by Tourism New Zealand from May to July found that 57 percent of people already considering trips to New Zealand were aware of the “Hobbit” trilogy. Almost all in that group knew the films had been made there.


Martin Snedden, the head the Tourism Industry Association, a lobbying group, said in a news release that the Tolkien films showcased New Zealand’s “stunning landscapes” and raised awareness of the country around the world. 


“Unless travelers know we exist, we are never likely to get on their shopping list of potential destinations,” Mr. Snedden said.


But New Zealand’s reputation as a pristine place might not be exactly warranted. Since European colonization 150 years ago, as much as 90 percent of the country’s original wetlands have been drained to make way for towns, farms and roads. The wetlands are considered to be of international importance for supporting numerous species of birds, fish and plants.


For creatures like the black stilt, which lives in such places, it may be too late. There are only about 100 left, making it possibly the rarest wading bird in the world. It is just one species out of the 2,800 that the country’s Department of Conservation considers endangered.


In 2008, New Zealand ranked first among 146 countries in Yale University’s Environmental Performance Index , which ranks countries on the quality of their environmental policies. The report compares international data on criteria like habitat loss, greenhouse gas emissions, deforestation and protected marine areas.


In 2012, however, the country slipped to 14th. New Zealand’s greenhouse gas emissions, half of which are caused by the agriculture industry, are the fifth-highest per capita among members of the Organization for Economic Cooperation and Development, the association of free-market democracies. 


Most other countries in the O.E.C.D. have managed to reduce per capita emissions, but New Zealand’s have increased 23 percent since 1990 — from about 66 million tons of carbon dioxide in 1990 to about 83 million tons in 2009, according the country’s Environment Ministry .


Pure Advantage, a nonprofit group promoting green business, estimates that the country will overtake the United States in per capita emissions in less than eight years, putting it almost into the world’s top 10. But total emissions in New Zealand, which has a population of 4.4 million, are far lower than those of the United States, with 312 million people.


This month, New Zealand refused to commit to a second round of emissions reductions under the Kyoto Protocol, the 1997 international agreement on reduction of greenhouse gases. Instead, it will align with several of the world’s largest emitters, including the United States, China and India, in negotiating an alternative agreement. That could be approved by 2015 and in effect by 2020.


“This is a day of shame for New Zealand. Our reputation as a good international citizen has taken a massive hit,” Moana Mackey, a member of Parliament who is the climate change spokeswoman for the opposition Labour Party, said in a statement.


Bruce Willis, a farmer in the Hawke’s Bay region and president of the lobbying group Federated Farmers, said New Zealanders often saw themselves as “the very best at something or very worst.”


“When visitors look at our countryside and our waterways, they are struck by how free they are of plastic bottles and the detritus of modern life,” he said, adding that it was unfair to place most of the blame for environmental problems on the agriculture industry.


Mr. Willis said that the country could do better but that New Zealand farms were “way up there” in terms of environmental performance.


David Broome, the Federated Farmers’ spokesman, cited Yale’s index as showing that New Zealand ranked first in 2012 for the effect of water quality on human health. For effect on the ecosystem, however, the country ranked 43rd.
In the end, he said, the environmental picture is not black and white.


A recent report by Pure Advantage said New Zealand’s environmental record was worrying for the country’s economic future. One of New Zealand’s main priorities, it said, should be giving legitimacy to the “100% pure” branding.

“These rankings will come as a shock to those in New Zealand who believe our country prides itself on its clean, green image,” the report said.


Gregg Anderson, Tourism New Zealand’s general manager for Western long-haul markets, said from his Los Angeles office that he did not believe the campaign was misleading international tourists. “100% pure” was never just about the environment, he said. It was about a New Zealand experience.


“We put our hands on our hearts and say New Zealand does not have a completely untouched environment,” he said, “but we are better than most.”

John Key’s “pinch of salt” style of telling the truth
Frank McSkasy

27 November 2012 
 
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Continued from: When spin doctors go bad


The truth? You can’t handle the truth!


When Jack Nicholson bellowed that famous line in the 1992 movie, “A Few Good Men“, few would have thought that it would apply twenty years later; down under here in Godzone; but that this time the tables would be turned against an apologist for the Establishment.


Mark Unsworth – a right-wing lobbyist for a professional “government relations consultancy” company, Saunders Unsworth, seems to find difficulty “handling the truth”. Especially when that truth comes from respected and reknowned environmental scientist, Dr Mike Joy…


On 16 November, the New York Times carried a story on the upcoming release of “The Hobbit“. The article made reference to Tourism New Zealand’s publicity campaign centering around a supposedly   “100% pureNew Zealand” theme.

As we should all know by now, New Zealand is not  “100% pure”. In fact we probably haven’t been “100% pure” for several decades now.


Dr Joy stated as much and was duly quoted by New York Times,


“There are almost two worlds in New Zealand. There is the picture-postcard world, and then there is the reality.”


Green MP, Eugenie Sage, backed up Dr Joy’s brutal truth, and was quoted in the same article (from a statement she made in Parliament last month),


“We promote our country as 100 percent pure and 100 percent Middle Earth. But to swim in our rivers, which is the birthright of Kiwi kids — you cannot do it in the majority of the rivers that the Ministry for the Environment monitored.”


And you know what? They are telling the truth. The clear, unvarnished, simple truth.


Dear Leader John Key and Trade/Climate Change Minister Tim Groser Minister,  have now waded into the ‘mix’.
 
Yesterday (26 Nov), Groser rebuked Environment scientist, Dr Mike Joy, by saying,

“It’s been used as a stick to beat New Zealand by environmental activists.”




Today, Dear Leader added, just to make sure we understood what our politicians were “hinting” at,

“It’s like saying ‘McDonald’s, I’m loving it’ – I’m not sure every moment that someone’s eating McDonald’s they’re loving it . . . it’s the same thing with 100% Pure. It’s got to be taken with a bit of a pinch of salt.”


Dr Joy replied,

“I’m not going to lie about this stuff.”


He’s right. Why should he lie?
Politicians know that the “100% Pure” is a marketing scam to bring tourists (and more importantly their cash) to New Zealand and can only succeed if the true nature of our degraded environment is kept secret.
 
After all, successful  politicians like Dear Leader John Key are so used to manipulating facts and employing half-truths  to serve their political purposes (usually getting elected), that they forget that the rest of the population are not politicians.

So, having created their own “dynamic” standard of ethics, Key,  Groser, and  minions like Unsworth, are  taken aback when the general populace raise an eyebrow in disbelief when we are expected to take part in conning overseas tourists? Our response is, “They want us to what-?”


How many times has Key been caught out telling half-truths, or not being upfront with the public?How many election promises has he broken; side-stepped; back-tracked; or watered-down until his pledges were useless?


The trouble now seems to be that Key and Groser are now expecting the public to buy in to their truth-bending ways.

Not just “buy in” – but to be  tacitly  complicit with the scam.

John Key wants 4.4 million people to be like him.


A nation of 'politicians' 

Surprisingly most of the  the general populace won’t have a bar of it.

Key says that no one expects New Zealand to be “100% Pure”.

I wonder what he expects when he buys a bottle of  “pure water” to drink?


Sources






Thursday, 29 November 2012

On John Key, Peter Jackson and "the Hobbit"


Peter Jackson’s “Precious”…
Frank McSkasy

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28 November, 2012


Today was the premiere of the first movie in “The Hobbit” trilogy.

I was not about to comment on todays events. For me, the shine has long since corroded from the Ring Trilogy and the “Hobbit” that came after.

Events surrounding the industrial dispute; the mass hysteria that followed; the vilification of actors who stood with Actor’s Equity; the demonisation of trade unionists; the the carefully crafted manipulation of public hysteria by some very skilled creators of illusion; the actions of National in unilaterally changing employment law – all left a sour taste in my mouth.

Whilst I loved the “Lord of the Rings” trilogy; the talents of actors, technicians, director and producer, and all the other fantastically imaginative craftsmen and woman who contributed to one of the most epic movies of this century -  I can no longer share those same feelings with “The Hobbit”.

As with our fraudulent claim to be “100% Pure”, there is something about “The Hobbit” which is a sham.

Unlike the “Lord of the Rings”, “The Hobbit” is not the product of Kiwi ingenuity. It is the product of back-room deals; media manipulation; and political-corporate connivance.

Have a look at TV3′s report today into the tumultuous  background of  “The Hobbit”, when Hollywood Hell broke loose in our country,
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To see video GO HERE




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Note Peter Jackson’s comment @ 1:27,

“We are now being given signs that they [Hollywood producers] are looking very seriously about shifting [the Hobbit].”

Source: Ibid


That was a lie.

We know it was a lie.

We know it was a lie because Peter Jackson admitted it in an email to National’s Economic Development Minister, Gerry Brownlee, on 18 October 2010,

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Sir Peter Jackson told the Government he did not believe an international actors’ boycott would force The Hobbit overseas, emails show.

The message, sent to the office of Economic Development Minister Gerry Brownlee on October 18, is in stark contrast to comments the film-maker made earlier in the month.

On October 1, he said: “The Hobbit is being punished with a boycott which is endangering thousands of New Zealand jobs and hundreds of millions of dollars of foreign income, for no good reason.”

Sir Peter dismissed the idea that movie production was moving overseas because it was cheaper to make films there.

“It’s completely absurd! Eastern Europe is only being considered because a minority group of the New Zealand acting community have invoked union action that has blacklisted our film, making it impossible to shoot in New Zealand.”

But on October 18, Sir Peter said the boycott had nothing to do with the movies potentially moving overseas.

“There is no connection between the blacklist (and it’s eventual retraction) and the choice of production base for The Hobbit,” he wrote.

“What Warners requires for The Hobbit is the certainty of a stable employment environment and the ability to conduct its business in such as way that it feels its $500 million investment is as secure as possible.”

The October 18 email also suggests Sir Peter thought the boycott had been lifted, even though he said in television interviews three days later he was unsure if it had been officially ditched.

Sir Peter declined to comment through a spokesman yesterday.


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And Fairfax Media reported,

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The email showed Warner Bros wanted ”stability” to film the movies in New Zealand and was worried about ”grey areas” of employment law.

The Government secured the movies in October by an urgent amendment to the law which prevented independent contractors from claiming entitlements as employees, as well as an agreement to increase the tax concession for big screen productions.

The report said the email was signed ”Peter J” – apparently director Sir Peter Jackson – and was sent to the office of Economic Development Minister Gerry Brownlee who was involved in the negotiations with Warner Bros.

   
It said there was no connection between Actors’ Equity union action against The Hobbit movies and choice of location, which contradicted government statements at the time – which were that Warner Bros was concerned about strife caused by the blacklisting of the movies because of a row over collective pay conditions.


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It was all a giant con. And we, as a country, were the ones being conned.
Because three days later, on 21 October 2010, Jackson issued  a Press Release stating,
“Next week Warners are coming down to New Zealand to make arrangements to move the production offshore. It appears we cannot make films in our own country even when substantial financing is available.”



Peter Jackson knew full well was unlikely that  Warner Bros would move “The Hobbit”, for several practical, hard-nosed reasons.  Which Jackson duly shared with Gerry Brownlee.

Unfortunately, neither Brownlee nor Jackson shared that information with the rest of the country, and the mounting public hysteria gave John Key and National the ‘mandate’ they needed to act decisively.

The country panicked; and National used the opportunity to play “hero” by saving the day. It was like a Hollywood  scripted movie. (Though, for the life of me, I’m not sure that the “good guys” won.)

In 48 hours, National rammed through legislation amending the law covering all workers in the movie and television entertainment industry. The Bill was introduced on 28 October. It gained Royal Assent on 29 October. The fastest piece of legislation enacted since politicians voted themselves generous superannuation entitlements, late one night, in the 1980s.



At the stroke of a pen – similar to a Decree issued by a lone despot in some authoritarian regime – National unilaterally changed workers from being employees to sub-contractors.

The resulting change was stark;

  • Employees can negotiate collectively for a collective agreement

  • Sub-contractors cannot
  • Employees had minimum wage; sick pay; holiday pay; appropriate employment/termination protections; etc.

  • Sub-contractors do not.

The government got what it wanted; public support through a bit of Union bashing, and preliminary legislative attacks on de-unionisation of the workforce. (See: New industrial relations laws rewrite labour rules)


Warner Bros got what they wanted; more money (courtesy of the taxpayer) and de-unionisation of “The Hobbit” workforce.

Peter Jackson got what he wanted; an irritation out of his life.

In a way, I don’t blame Peter Jackson – despite his masterful manipulation of public opinion and reaffirming (if re-affirmation was ever required) that we can be a nation of sheep.

Peter Jackson is a talented, imaginative artist who can create the most visually stunning images on a screen. He is, in most likelihood, a genius.


Unfortunately, geniuses are often so focused; so obssessed; and so fixated on their work, that they will disregard all others around them. A genius is all-consumed with his work, to the detriment of others.

In this case, Peter Jackson identifies utterly with his projects; immersing himself in childhood fantasies that he now has the power to bring to life – albeit a two-dimensional “life” on the big screen.

In doing so, he swats aside any irritation that might distract him from his work.

Actors Equity was such a distraction, and Jackson used his masterful skills at perception-manipulation  to rid himself of that irritation. He had the power – so he used it.

He’s not evil or tyrannical or nasty.

He’s simply a boy who never quite grew up and realised that he could fulfill all his childhood fantasies.

Unfortunately, in doing so, and like many other obessively-dedicated geniuses before him – he has hurt many people in the process.

Will I go to see “The Hobbit”? I really don’t know.

But if I do, it won’t be the same as “Lord of the Rings”.

The illusion will be broken -  the suspension of disbelief (film makers and writers  will understand what I’m referring to).

Because all the while, there will be the spirit of a little boy who never quite grew up; holding on to his childhood fantasies; and murmuring ‘my precious‘, as he never lets go.